Screens : You are wasting your investment in a gaming machine unless you point it at a good screen. Here is a selection that best suits your needs.
If you are looking for a project, especially if you are new to it, chances are you don’t pay enough attention to the screen to go with it. Indeed, some people are content to point out a projector on a blank wall that is easily accessible. But in reality, whatever you use as a screen is the last element between the imaging chip (or chips) of your project and your eyes. If you care about image quality, you should choose one where the worst will not degrade the worst, and the best we will improve.
Suggest screens worth thousands of dollars
Talk to video enthusiasts, and they will suggest screens worth thousands of dollars, even the 100- to 120-inch wide diagonal commonly used at home. For cinephiles, screens made of expensive materials such as the Stewart Filmscreen StudioTek 100 — commonly referred to as a reference screen — may be worth investing in, especially since you may have reduced their cost by more than two or more projectors. That being said, you should not use four figures to get a good screen, although you are strongly advised to spend more than $ 30 to the cheapest $ 50 you can find online. Retailers such as Silver Ticket Products and Amazon offer a screenshot of screens for $ 200 and up which has earned a reputation for being good prices.
No matter what your price is, you need a screen with the right features for your setup. Screens can affect color, brightness, image brightness, and brightness. There are ambient light rejection (ALR) screens that can help keep images abreast of bright rooms, and sound screens that will allow you to hide your speakers behind them with minimal loss or lack of sound quality. Here’s a look at some of the key issues to consider.
Screens vs. Screen Material
Many aspects of the screen fall into one of two categories, related to screen functionality or to any format or method we are attached to, which for lack of a better term I would call the “screen model.” Visual effects, including features that affect image brightness and brightness, fall into the first phase. Physical features (such as size, shape, and whether the material is stretched on a frame or wrapped in a drag or pull) are second.
screen models
Note that certain screen models often allow you to select different items. The Sable Frame Series, for the entry level of the Elite Screens, is available with a variety of features that include optical illumination options with ambient positioning, and high-performance features that enhance image brightness. (More benefits soon.) It works differently, and — the same screen values are often found on different screen models.
Explaining all the variations in screen models can take its own article, so I’ll highlight it here unless some are made for portable, and some are for permanent installation, and you should obviously choose one that is similar to yours. intended use. However, a few physical features apply to all types of screens and are worth mentioning here. This includes shape, size, and border, usually black, on the edges of the screen.
Shape (Aspect Ratio)
In most cases, you should choose a projector with the same native aspect ratio — average width and height — as the images you usually view, and you should select a screen with the same aspect ratio. Matching all three will allow you to avoid dark bars from the letterboxing seen above and below, or on the sides, the image where the appearance of the scales differs.
For commercial or educational use, 4: 3 XGA’s 1,024 by 768 pixels or standard definition (SD) TVs in 420i or 420p are approximately one aspect ratio, and 16:10 (including 1,920 per 1,200 and 3,840 in 2,400) is another. For home entertainment, the most common aspect ratio is 16: 9 in wide screen formats. This includes 720p, 1080p, and 4K (3,840 by 2,160).
An unusual home entertainment option is the Widescreen Cinemascope with a 2.35: 1 or 2.4: 1 screen like Silver Ticket’s STR-235125-WVS, but it requires sophisticated set decisions that put it beyond the scope of this theme. I say this because you should know that it is possible.
Size and Limits
There are any number six rules for choosing the right screen size for the distance you are sitting, or vice versa, that you should place your residence at a given screen size. With boardroom or educational settings where you may need to read more detailed charts or text, for example, you will want a screen height of approximately 25% of the distance to the most remote seat, regardless of aspect ratio.
For home entertainment with a 16: 9 screen, the most common suggestions are to multiply the screen diagonal scale by 1.6, 1.5, or 1.2 for the best seating distance. When setting up a multi-line home theater, the smallest and largest numbers in the range can help you choose where the front and back lines should fit your screen size.
Usually, you try to find the right screen size for a family room with a sofa that is already standing.
magic numbers
The magic numbers here are 1.2 and 1.6. If the sofa sets your eyes 12 feet (144 inches) from the wall-mounted screen, a 1.2 split gives you 120 inches from the diagonal of the screen, while a 1.6 split gives you 90 inches. Length from 90 to 120 inches defines the width of the diagonal screen that you have to adjust to get a personal taste. If you choose to sit in front of a movie theater, you will also choose a larger screen size. If you like to sit back too much, you will prefer a smaller screen, but you should avoid going under a small size in the distance.
Some screens provide surrounding boundaries for designer color choices, but border colors can affect how you see the colors closest to the screen, so it’s best to stay dark. Small boundaries
